UV Floodlights
Larger screens, cyanotype sheets, wider DIY exposure areas and print-studio testing setups.
UV floodlights, exposure lights and lamps for screen-printing emulsion, cyanotype prints, photo processes and DIY exposure setups where consistent distance and timing matter.
For exposure work, the goal is not only brightness. You need repeatable distance, repeatable timing and enough light over the working area.
Good starting point for larger screens, cyanotype sheets and wider DIY exposure areas when mounted consistently.
Controlled setup UV Exposure LightsUse when the product specs and mounting allow a consistent exposure distance across the work area.
Small prints UV LampsUseful for smaller creative tests only when the lamp can cover the target area evenly enough for your process.
Choose based on print size, mounting distance and whether you can keep your exposure setup consistent from test to final print.
Larger screens, cyanotype sheets, wider DIY exposure areas and print-studio testing setups.
Photo emulsion, creative exposure tests and setups where timing and distance can be repeated.
Smaller cyanotype tests, compact creative exposure setups and small coated surfaces.
Do not guess one exposure time and assume it will work everywhere. Test, record and repeat the same setup.
Keep the UV light at a consistent distance from the screen, paper or coated surface.
Choose a light strong enough for the work area without assuming it will suit every print size.
Run test strips because exposure time depends on emulsion, coating, artwork density, distance and wattage.
Write down your time, distance, product, material and result so the setup can be repeated later.
Suitability depends on the emulsion, process, material and setup. Treat this as setup guidance, not a guaranteed print recipe.
Use with test strips and a fixed light distance. Do not assume one timing fits every emulsion.
Useful for UV-sensitive cyanotype work when the setup is tested for your paper, coating and distance.
Floodlights or lamps may work in controlled DIY setups if coverage and consistency are acceptable.
Studios should document timing, distance, wattage and material instead of relying on generic exposure times.
Exposure time depends on emulsion, coating thickness, distance, wattage, artwork density, material and environment. Always test exposure times.
A UV light can be part of an exposure setup, but final print quality also depends on coating, film positive, mesh, washout, registration and user process.
Different emulsions and photo processes respond differently. Confirm the emulsion or process requirements before choosing a wavelength or wattage.
365nm or 395nm products should only be recommended when suitable for the user’s emulsion, cyanotype or exposure process. Check product and process requirements before purchase.
Share your print size, process, material, expected working distance and whether you need a floodlight, lamp or exposure light. We’ll help you choose a practical starting point.